dogpoet
the blog of Michael McAllister

Friday, November 29, 2002

Thanks

For people who cook better than me. For free cable and DVD special features. For the lights of the houses on the hills of San Francisco on a clear night. For the cities I have yet to see. For orchids. For the friends that drive me crazy. For folding chairs in flourescent-lit church basements. For sodomy. For the need to create. For rooms of people united by music. For the ties that bind. For people who know stuff I don’t. For flannel pajamas. For haircuts. For scruff and rough edges. For my collection of little post-it’s my mother wrote on when she couldn’t talk anymore. For peeling fear like an onion. For dreams of flying. For fierce flaming queens. For big ol’ butch daddies. For the intersexed. For big surprises. For not caring about all that stupid shit. For knowing we’ll all be okay.

Wednesday, November 27, 2002

Dogpoet is sick and fucked up on TheraFlu. Send money and naked men with plenty of fluids. Not necessarily in that order.

Monday, November 25, 2002

And you have the nerve to call me “lady”?!?

I know it’s just a matter of time until Julianne Moore finds my blog and decides to be my new best friend. We’ll have lots of fun making home-made video paradies of her Revlon commercials in which we take turns whipping our heads around, causing our long-tressed wigs to fan out and gleam while we speak in Patrician accents about skin tone. I will do my best Julianne impression-circa-Short-Cuts, standing naked at an ironing board, which will make her porcelin skin turn bright red as she shakes uncontrollably with laughter. When she wins the Oscar next spring she’ll forget to mention her husband but will, undoubtedly, thank Michael McAllister for the laughter and the inspiration. Everyone in the film industry will then google-search my name the next morning, find my blog, and beg me for screen rights. I’ll let Leonardo take me out for sushi where he’ll grill me about my feelings. Unfortunately for him I’ll insist on playing myself in the film version of my life, which will then prompt every closet case in Hollywood to proclaim their sexuality because they see how well it worked for me.

Saturday, November 23, 2002

Thank you for being a

You can understand, can’t you, my protective streak? He’s the first man to ask me for that kind of help, the help to stay sober and therefore to stay alive. And maybe I take myself too seriously. Maybe I think I can do things that I can’t; that I can somehow keep someone alive through just my words. And maybe no matter what I say he will not survive, or he will just disappear quiet and slow. But I want to try; I want to hold him in the palm of my hand, and curl my fingers around him and protect him. And because you’re my friend I know you understand that.

I raise my leg as though I’d mark him like a dog does a tree. And you laugh, short and weak, because you don’t think it’s all that funny. But I make my point, don’t I?

You stand two feet from him, face-to-face. My friend you cast your glow across him, and from where I watch I can see what you are doing. My friend you are light and flame. Men are drawn to you as moths, their mindless flight drawn through your burn. Each week it seems you leave them quivering at your feet, wrapped in cooling wax, wings torn and scattered. My friend from where I stand I can see the trouble you breed, the men you leave behind. And you tell me you’re alone, while heaped around you are corpses of the men that have tried, one at a time, to kiss the flames rolling from your skin.

“Your sponsee and I are going to have coffee and go to a meeting,” you say.
“Great,” I reply, “as long as you don’t mack on him.”
You gasp as if wounded. “I wouldn’t mack on him,” you say. And then you pause while I wait for the lie to stop. “Besides, wouldn’t you want him to be with me, of anyone you know?”

My friend there are few things that I know for certain, and one of them is that you would be the last I’d want him to fuck.

“He doesn’t need to get with anyone right now,” I say.
“I’d take care of him,” you say, smiling.
Yeah, I think, you’d take care of him the way you took care of yourself 63 days ago, when you left a meeting and stuck a needle in your arm and saw, as you said, the face of the devil. You’d take care of him like you take care of all the other stupid moths.
“A lot of guys want to take care of him,” I say.
“He’s adorable.”

I don’t know sometimes what a friend should be. I don’t know how much to tell you; that I think you tear open the hearts of men, that I see more needles in your arm, that I don’t recognize you anymore because of the corpses piled around you. That if you touch him you’ll have one less friend.

Thursday, November 21, 2002

So come on, let’s go, ready or not…

I just know it’s a matter of time now till Aimee Mann finds my blog and decides to be my new best friend. Look for Aimee guest editorials on drugs and loser boyfriends, and Dogpoet doing a heartfelt, echo-y acoustic set on her next CD, on one of those hidden tracks, like, forty-five minutes after the last song plays.

Tuesday, November 19, 2002

Oath

I step from the shower and reach for the towel. The fogged mirror hides my face, but my body is reflected back at myself. I allow myself a moment of appraisal, turn to see my profile, and though I’m not entirely satisfied, I see the work I’ve done to shape myself into a man. The kind of man that could have his pick of love. I wish I could see that thin leaf on the freckled, sturdy shoulder. I’d trace the outline with my fingertip. I’d lick the edges of it, playing the man, promising nothing more than fun. I’d give him a taste of what I’d never let him keep. The sweetness that I would curl around a man containing more than drive or desire, a man containing mountain trails and dog hair and t-shirts worn thin at the seams. A man with rhythm and secrets unfolding at night, like loose diamonds spilling on black velvet, like the taste of comet tails dissolving on the tongue. A man I’d push against a restroom wall, his pulse thumping beneath my fingers. A man who cries, who takes hold of the stubborn ugly arms of a life lived full-throttle, who shakes it from the top of skyscrapers, making threats he’d definitely keep. A man slashing and burning. A man who offers me the joys that pile up within his heart.

Thin-leaf-tattoo man: you and the ones like you would never know what to do with me, today. That which has not destroyed me has made me stone and blood, has made me bold. I spit the fire, I burn the fear. St. James I am the halo, I am the horns. With them I will dress for the world; I will walk into battle. St. James I give you the shadow from my sword.

Monday, November 18, 2002

Beautiful Bastards

Mr. Latino Daddy, the one who asked for my number but most certainly has a husband, leaned close to me this morning as I rested between sets on the seated row, placed his hand on my shoulder, and apropos of nothing said “Maybe you can keep me warm some night.”

Mr. Latino Daddy, who everytime he talks to me touches my shoulder or pats my back, is already earning a spot in my all-time Trouble Hall of Fame, and I haven’t even kissed him yet. I am doomed, I tell you, doomed. Which makes it so appropriate that I have a ticket for Aimee Mann this week. Now there’s a chick who makes me look like a cheerleader on crack, by comparison.

Monday, November 18, 2002

The protagonist wakes again, the minutes ticking past him, in his room which the morning has unfortunately brightened. Though he had dozed several times past the alarm, sleep won’t take him again. He should have shut the blinds last night to spare himself the first sight of the morning light laying harsh across his nightstand, its dusty surface cluttered with keys and drinking glasses and the empty, balled-up bag of microwave popcorn that he had bought the night before. He turns his face to the pillow, closes his eyes again. He waits for something, some impulse or need, to rise up within him. He searches; job, gym, dog, sex. Coffee. But that would need making, would require three minutes of standing in the kitchen, an empty waiting. Because he knows that he’s empty, he can feel it. He can feel his soul, vacant and scrubbed to a sterilized shine. Could it be that quick, to lose what had filled him? As he lays there he remembers each encounter of the past week; the string of men, each followed by a tight knot of regret or revulsion. He knows this morning that each man had taken a little with him. Nothing rises within him, and he cannot raise himself. He considers the desk and the office and the copy machine waiting for him, considers calling in sick. But then a sigh, a jangle of thin metal tags somewhere to his left, his dog stirring, and within the protagonist duty kicks. Before he can think any further he throws off the covers, pulls himself from the bed. He glances, then looks away from the morning, from the green leaves shuddering outside his window in the wind that pours from the ocean across the city and over the crest of the hill behind his house.

In the shower he reaches over his shoulder with the soap and rubs it across his back, across the small sun tattooed there. In college he had known a man with a delicate green leaf tattooed in the same place, and though they had spent many long afternoons and warm Florida nights together, the protagonist had never asked the man about the leaf. As he turns under the shower’s spray he smiles a little at the memory of the man and that tattoo, and the man’s strong back, lightly freckled from the sun. Why a leaf? he wonders. Such a strange choice. And where’s the man now, and is he still the same? The protagonist smiles again because in some ways he himself has not changed. There are some things he still needs.

He reaches now for his toothbrush, spreads paste across the bristles, and holds it for a moment under the shower’s spray. He brushes reflexively, the brush circling and scrubbing his teeth in a pattern. He remembers the Porsche the man had driven, though it wasn’t his but rather his sister’s, a lesbian and a doctor who lived with her partner in Tampa. Her kitchen drawers had been stuffed with a disturbing amount of sample prescription painkillers. The man stayed with them in their spare bedroom, where he and the protagonist would fuck on the nights they were together, which the protagonist had felt were not often enough. The man had been in the middle of some life transition, unemployed and driving his sister’s Porsche everyday to the gym, to the bars, or to Sarasota where the protagonist lived, an hour away.

The protagonist rinses his mouth in the shower, over and over. He can see himself in the window of the house he had rented that year, his final year of college. The house itself was well-known by other students. They called it the Tree House, for it was built up above a garage; a wooden A-frame house surrounded by trees. He had loved that house. He can see himself standing before the picture window, looking down as the Porsche pulls into the driveway, the sunroof open, music pouring out. He sees the man’s shaved head in the twilight, sees him look up and smile at him, a smile his friends would later call cocky, but that made the protagonist’s pulse quicken. That was their first night. “If I had known your butt looked like that I would have been here three hours sooner,” the man had told him later as they lay in bed.

The protagonist rubs the steam off his steam-less shaving mirror. He examines his stubble, decides to let it grow a few more days. Maybe a change will help. He ducks his head under the shower and stands there for awhile. Isn’t it normal to attribute good characteristics to people simply because they’re beautiful? Or was there really something to the man, something more than his looks, something that made the protagonist come back, again and again? The water courses over his ears, down his shoulders. He searches for that something, back in those warm Gulf Coast nights, but he comes up empty. What he finds instead embarrasses him. Riding in his friend’s car on Bayshore, the protagonist complaining of love, the friend suddenly snapping, “He’s a player. Forget him.”
“How do you know?” the protagonist had asked.
His friend was silent, and then the protagonist knew, and though it hurt very much he let himself picture the two of them together. He felt trapped in that slow-moving car as they inched along the road, sick to his stomach.

Then at a beach in Tampa, where he had driven to meet the man. They sat together, facing the Gulf, the sun sliding lower in the distance. Around them were other men, some who were shaking out their towels, some who lingered in the dying light. The man watched them with that cocky smile. “That one’s cute,” he said, pointing. The protagonist had wanted to leave, had wanted the man to come with him. But the man said “Good night,” and the protagonist had walked away, back to his car. Turning once to see the man’s silhouette among the others. That should have been enough, that could have been the final image.

The man stopped calling. Months passed. Then one night he showed up at the Tree House. The protagonist cleared a space for the man on his bed, pushing his homework aside. The protagonist sat on the floor, looking up at him.
“What are you doing in Sarasota?” he asked the man,
“I met a boy. We’ve been hanging out, having some fun.”
The protagonist had looked down, picked at the nub of the carpet, run his fingertip over the diamond shapes, over and over.
“You like him?” he asked.
“We’re just having some fun. You know me.”
“Yeah. I know you.”
“What, do you miss me?”
The protagonist looked at the man, looked down again. He kept silent.
“You knew I didn’t want more.”
“Yeah,” he said.
“You want to fuck? We could fuck right here,” the man said, slapping the bed.
The protagonist had looked back at the man, and wanted it, wanted it very badly. The man’s skin, the tattoo on his shoulder. He wanted to run his finger over the leaf as the man held him. He laughed a little in spite of himself, though nothing felt funny. He didn’t know what to say to the man.

Instead the protagonist had followed the man to the door, had felt a sad thrill as the beautiful bastard kissed him, quick. The man flashed his smile, then turned and headed down the staircase, two steps at a time. The protagonist had walked quietly to the window, and watched the Porsche pull out of his driveway.

The protagonist steps from the shower and reaches for the towel. The fogged mirror hides his face, but his body is reflected back at him. He allows himself a moment of appraisal, turns to see his profile, and though he’s not entirely satisfied, he sees the work he’s done to shape himself into a man. The kind of man that could have his pick of love. He wishes he could see that thin leaf on the freckled, sturdy shoulder. He’d trace the outline with his fingertip. He’d lick the edges of it, playing the man, promising nothing more than fun.

Thursday, November 14, 2002

D.C., redux

King Street, Pentagon, Pentagon City, Metro, L’Enfant Plaza. Riding public transit late at night is like sitting and breathing in an Edward Hopper painting. The cars slide into the night. Couples lean into each other; women close their eyes and lay their heads on the men’s shoulders. The men stare ahead, eyes unfocused, their nights behind them, their beds waiting. There’s nothing to read but the Metro map and the sports section crumpled underfoot. Fluorescent-lit orange upholstered cars that fill as we glide into the city, as we go underground. People murmur around me and as a train passes us in the other direction I catch glimpses of the riders contained within. There’s something about subways and solitude. Those moments held quick in celluloid; moments filled with cinematic meaning: Matt Damon as a troubled genius staring out at the Boston landscape; his train clacking and whizzing past rusted warehouses and empty shop yards. His solitude reinforces mine; his interior conflict mirrors mine. His Elliot Smith soundtrack plays in my head; be forever with my poison arms around you’so glad to meet you, Angeles. Or maybe the movies just give it more meaning than it should have. It’s just a man staring out at the passing world; his reflection flashing back at him. It’s just a way out, briefy, from the places that trouble him. It’s an escape from his father’s carpeted, well-meaning townhouse. From safety, into mystery. Take him from the man he should be, bring him to the man he is, flawed and afraid and hopeful, always hopeful. Bring him someplace new, somewhere else. The subway brings him there. The trains shudder in the tunnel’s night. Tom Cruise and Rebecca DeMornay clutch each other as the lights flicker overhead. Just another girl on the IRT.

I step onto the escalator at Dupont Circle; it stretches far up into the night, a Dr. Seuss escalator, longer than seems possible. Ahead of me a man turns, squints, waves at me questioningly. I smile, I wave back. We cover the steps between us. Jimbo is adorable, even without his beard. He takes us to Cosi, a coffee shop with an actual hostess station, where we’re seated under some blindingly bright heat lamps. They serve smores here? The waiter places a flaming cup on our table, asks us not to burn anything besides the marshmallows. His memorized speech implies there have been problems before. We promise to behave. Jimbo toasts his slowly, holding it far above the flame. Mine burns, its edges darken and catch flame and I blow it out, again and again. Always those first nervous moments; after all, we’re going to write about each other, right? So we talk about some of you instead. He’s got an unpredictable, quick humor. He makes me laugh. And it’s easy to talk. Later, back at the station, he offers me his hand, but I hug him instead, as we do in California.

Thursday, November 14, 2002

About some others

Just so you know, Aaron’s boyfriend is just as sweet as the eight-legged one himself. In case you were wondering. In case there was any doubt. His bf made me two candles, can you believe that? He MADE them. They smell like cinnamon. They came to my house on Saturday night where Kate made us dinner. We ate and laughed. Then we popped and locked down to the Stud where we were like, the first people there. Apparently they get going much sooner in Sacramento. I tried my best to delay our arrival, to spare us the empty dancefloor, but they REALLY wanted to get rolling. So we broke the Stud in and loaded up on Red Bull and candy and showed them how it was done. We danced and the floor filled and I watched the boys pass and I hope the others had a good time but all I know is that several hours later we emerged into the night and I was dripping with sweat and the cool air hit my wet shirt and my stuttering legs sang as we sauntered down Harrison Street and I was content, tired, happy to have some dancing partners.

///

Jonno had said “you should meet Drew, he’s coming to SF.” So I did. Hi, Drew, are you back home? When are you moving here? How many pairs of shoes did you buy?

///

Someone introduced himself to me. His name is Chad, and he’s told a very beautiful story. Go have a look-see.

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Confidential to the Younger Half of the Studly Couple: Thanks for the back-up, pardner.

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Confidential to Secret Agent Yummy Muffin: thanks for letting me be all snarky. And I’m glad you’re sick in the head, like me.

///

Confidential to Vince: thanks for letting me read over your shoulder. oh, and finding my keys.

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