My pal Tiny Dancer drove up from Providence and stayed the weekend. Saturday morning, after corrupting him with the best breakfast sandwich on the planet from Small Oven (dangerously close to my apartment in the Pioneer aka Genocide Valley), Agnes hovering at our feet for the inevitable rain of crumbs, we cruised up 91 and over 2 on our way to MASS MoCA. October leaf peeping and cultural field trip—two bugs, one windshield.
He played some 80s tunes with his Sirius subscription. We’d met three years ago when I’d crashed for a few months in my sister’s basement in Boston—he was my first New England friend, and we’d regularly drive the 90 miles between my town and Providence for weekend visits. We shared a love of dogs and Saturday night episodes of Dateline.
I told him that my first concert, back in Minneapolis, was Thompson Twins with opening act Orchestral Maneuvers in the Dark, circa 1985. That year I grew long blond bangs over one eye, and wore grungy, black, thrift-store clothes that didn’t meld with the overall Benetton ad of my high school, so I spent lunch hours hiding away from the Darwinian cafeteria tribes, till sophomore year, when some cool chicks in leather jackets and torn black leggings rescued me. We called ourselves, only half-facetiously, the Rebel Posse.
Tiny Dancer snapped this shot at a hairpin turn on route 2. I think I look old, but I guess I am old, and people seem to like the pic, or they “like” the pic, and the colors are pretty cool, so here.
Wikipedia calls MASS MoCA the largest contemporary art museum in the country, a rusted, renovated factory complex, a postmodern outpost in the Berkshire hills, near the Vermont border. I spent some formative years working at the Walker Art Center in Minneapolis (even won my first poetry slam there, ha ha), so common museum elements—flickering video in dark exhibits, somnambulant security guards, gift shop t-shirts, catalogs heavy with artworld jargon—made the whole trip feel kind of homey.
And fuck, I love October. I wish it would last six months. But I guess its brevity is what sharpens its bittersweet taste. I fell in love with October as a lonely, skinny kid in the suburbs of St Paul, a melancholiac drifting home solo from grade school, shuffling through leaves, smelling wood smoke, and finding a comforting warmth in preteen sadness. Shut up, I had my reasons.
The museum road trip was a bit of a symbolic gesture on my part. I’d landed in this valley at the long-sputtering tail end of a very long tailspin, and couldn’t quite pull myself out of the wreckage.
Instead, smoldering in its ashes, I’d taken daily inventory of all the ways I suffered here, compared to San Francisco.
Guys, I didn’t get cruised here for A WHOLE YEAR. I was an actual ghost. Humans walked through me. And when a guy on campus at UMass (where I worked for awhile) held my gaze and turned to watch me walk past, I was so startled that I smacked face-first into a door.
Between that, and the alienating, Christian-heavy leanings of local 12-step groups, and the long winters, and my inability to find work that would lift me above paycheck-to-paycheck existence, I resisted Genocide Valley. Like, picture me being dragged across the ground with my heels dug in.
Things began to shift when, instead of dropping local AA entirely, I supplemented it with a dose of Refuge Recovery, a program based on Buddhist principles. It’s currently caught up in some Me Too Movement fallout, and is quietly getting swapped throughout the country with other frameworks, but my long curiosity in Buddhism, and my increasing disbelief in an external, omnipotent god, found some solace and much food for thought there, as well as a place to practice some monkey-brained meditation every week in a room full of quiet, breathing, shoe-less folks.
I met a dude there I’ll call the Sinful Saint, a well-read, well-lived, intellectually voracious man who’d sit with me at meetings, drink coffee in Northampton, tea on my living room couch, and dig with me into our pasts, sitting in my car in his driveway as the frogs of the valley began to sing at night.
I told him the nickname was because he’d read through my blog and had texted me a line from a poem I’d forgotten I’d written:
The scattered collection of men have all had their hopes,
and, left alone, they have called themselves fools. Is that so
uncommon? Even saints dream of sin.
(In other words, I kind of made his nickname all about me. This is a recurring trait that is dawning uncomfortably on the horizon of my recent thoughts. I’m self-centered. Isn’t that what my father, Hank the Blank, once said? He could be both a narcissist and correct. That’s an entirely possible combination. In fact, they are probably connected. My excessive, self-referential introspection, which he hates, was my childhood strategy for survival. “Hello, Frankenstein,” I told him, once. “I’m your monster.” He was not amused.)
I’ve said here before that, following my split from the Manly Fireplug and my exile from San Francisco, my brain and body rife with fear, that the one thing I needed was the one thing I couldn’t sustain—human connection.
I’m a dude who wants to see himself as strong and solitary, but who desperately needs others to survive. It turns out that to endure Genocide Valley, I needed a pal.
The Sinful Saint took me to the top of a mountain. The mountain was next to my apartment. I’d lived in that apartment for three years, but that was my first journey to the summit. He began to chip away at my resistance to my locale, not through instructions but through companionship.
I left one job because it was a dead-end nightmare of bigoted dysfunction. I took a new job, my first job as a full-time professional writer, one that pays me a few dollars above paycheck-to-paycheck. Maybe someday I’ll have enough saved, for my vague plans to escape to an undecided city. Being a single gay dude here is like trekking with an empty stomach across a bleak and forlorn field to a hut built for one, leaning back in the howling wind.
Yeah, sue me—I’d like to be loved again.
But for now I have work—to squirm out of the wreckage and brush the ashes from my Adidas. To take a chihuahua for walks. To bench press steel plates. To calm the swinging monkey. To slip the armor of resistance and take scenic road trips to rural museums with good pals. To make the most of Genocide Valley, while I’m here.